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Michael Nicholas Byars, USA(SF), in North Carolina, John Carl Scott Byars in Arkansas, and cousin, Nikki Marie Dan nee Love in San Antonio, as well as his many relatives in Poland, especially his Aunt, Jadwiga Ambroziak, and cousins, Ivona Trzaska, Halina Mazurkiewicz, and 111 Very special appreciation is expressed to my daughter, Katherine Elizabeth Ford, who gave up spending much time with her father in order that he complete this study.Īuthor will always be thankful to his nieces, Deborah and Christina Rowe in Virginia, nephews, Alex and Brian Rowe in North Carolina, John Russell and Jamie Ford in San Antonio, Sgt. It should be mentioned that all of the faculty and staff of the Estudio de Arte Guitarristico, especially Victor Saenger and Juan Reyes, were always extremely helpful. Manuel Lopez Michelone, a son of Lopez Ramos, who refused to feel imposed upon and was constant in his efficient handling of e-mail correspondence between this author and his father. Much gratitude is expressed to Manuel Lopez Ramos and his family for allowing me access to any and all materials necessary for this work. The classical guitar and even allowed him to perform on student recitals though the guitar was not in the curriculum Professor Gerald Benjamin at Trinity University in San Antonio for encouraging the use of guitar in concerts of early music, the music of Latin America, and the compositions of Julian Carrillo.
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University of Texas-Pan American), who encouraged the author's interest in ii Anderson from the music department at Pan American College in Edinburg, Texas (now. Cloys Webb, then director of choral activities at McAllen High School, who believed in this author enough to award hirr a partial scholarship to study music in college, even though the author was graduated in the bottom-fourth of his high school class Mrs. Made it possible for the author to attend performances by Andres Segovia, and Artur Rubinstein Mr. This author must remember those unselfish educators who guided him to this point in his life: Stinespring for replacing a retiring committee member during the final stages of this project and his critical reading of the manuscript. Wayne Hobbs for the incisive wisdom of his suggestions and Dr. for his relentless editing of the interview from cassette tape, then of the translation from Spanish Dr. James Bogle throughout the doctoral program.Įxpressed to all members of the Doctoral Advisory Committe for their willingness to help bring this study to a successful completion:įor her unselfish contribution of time and effort Dr. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ApprovedĪCKNOWLEDGEMENT S The author gratefully acknowledges the support, cooperation, and guidance extended by Dr. THE "ESTUDIO DE ARTE GUITARRISTICO" OF MANUEL LOPEZ RAMOS by JOHN SCOTT FORD, B.M., M.A.